Something Rotten at Hennepin Theatre Trust
I will waste no time in saying that Something Rotten is one of the best original musicals that has come out in some time. I had the pleasure of seeing it two years ago in New York and let me tell you, it's even better the second time around. This musical (about the creation of musicals during the Renaissance) encompasses everything I love about theatre. It's got your typical flashy musical numbers, catchy songs that will have you humming down the street, and gut busting lines that had me gasping for breath. It really is the perfect musical and I can honestly say one of my top five favorites.
Something Rotten is the hilarious tale of two brothers and their quest to write the next great theatrical classic. Nick and Nigel Bottom are always second best with their theatrical writings and are stuck in the shadow of a bard...no...the bard, William Shakespeare. When Nick, the older of the two, decides to attempt to get ahead of Shakespeare, he hires a soothsayer (or psychic) to predict what the next big thing in theatre will be. He is shocked to discover that theatre will soon evolve to include productions with singing, dancing and acting...all at the same time. The brothers set out to write the world's first musical however they manage to run into a few bumps along the way.
I first saw Something Rotten from the front row in New York City in the Fall of 2016. The musical itself is so well written, clever and witty that I still can't believe someone thought of it. It is one of the few musicals that I love where I can listen to the whole soundtrack and not skip one. single. song. They are all fabulous. The actual book too (written by Karey Kirkpatrick and John O'Farrell) is one of the wittiest I've ever heard. The humor is so smart and clever that it sets a bar on what it means to be a witty show. Whether it's the musical references or the overly accidental sexual lines by Brother Jeremiah, I was hooked. It's surprising that they didn't win more Tony awards. The original Broadway production was nominated for 10 Tony awards, including a win for Best Featured Actor with Christina Borle as Shakespeare. However it was a tough year that year with revival of The King and I and the original musical Fun Home.
The set is a wildly and colorful 2D set that is just magnificent to the eyes. Designed by Scott Pask, it includes a multitude of layers that really bring depth to each and every scene. Gorgeous backdrops help complete the transition from scene to scene and really sell the overall look and feel of this show. The ensemble help create that illusion tremendously with their high energy. There is single handily not one weak link in the entire case. Everyone shows up and is ready to make a great and memorable experience for the whole audience.
The principal cast is on their a-game the entire night as well. This musical is so energetic that it can't be easy to keep up and they all do it wonderfully. When I saw it, Adam Pascal was out (who plays Shakespeare) and Rob McClure was out (who plays Nick Bottom). Before I get into the specifics of how fabulous each actor was in their respected role, I want to take the opportunity to call out the fabulous understudies. Being an understudy is not easy, trust me. I know. I am a veteran actor. Being an understudy on a touring Broadway show? Even harder! Having to know sometimes multiple roles (sometimes multiple principal roles) and needing to jump into that role with sometimes little to no rehearsal time? That is not an easy feature and these two hit it out of the park!
The show opens with one of my favorite songs on the soundtrack, "Welcome to the Reniassance" where the ensemble really gets a chance to shine along with the Minstrel, who does most of the solo work in this song. The Minstrel, played by Nick Rashad Burroughs, was quite the dancer. I'm wondering if the MN weather got to him because his voice did sound a bit quiet but his dance moves were on fire and made up for it. Nick Bottom, played by Scott Cote, was hilarious and so energetic during every moment on stage including bigger flashier songs. Nigel Bottom, played by Josh Grisetti is so freakishly charming that I wish the role was bigger! His passion for writing comes through so much that you can't help but feel for the guy when the going gets tough.
Other highlights include Brother Jeremiah, played by Joel Newsome, has some of the funniest moments as he plays a uptight puritan preacher who believes theaters are the sins of the earth. However he consistently makes sexual puns through out the show that were the best written lines in the entire script! The campy diva attitude and physical feminine characterization he emotes is hysterical. Portia, Brother Jeremiah's rebellious daughter who is played by Autumn Hurlbert, is a perfect combination of sweet and innocent but also hilarious when she gets a taste of rebellion. Her adorkable moments with Nigel really touch the heart.
I think the biggest for me was Daniel Beeman, who played Shakespeare. The role is completely redefined as a leather pants wearing, provocative dancing, and sexual bard. In other words, Something Rotten turns Shakespeare into a sort of sex symbol rock star. It's comical because at the time of his real life, he really was treated like an equivalent to a rock star. Beeman plays this role perfectly and honestly has a great air about him. I can't imagine how fun this role must be but he certainly seemed to be enjoying himself!
The bottom (puns) line is that Something Rotten is a hilarious and uproarious dose of geniune fun for all audiences. The creators of the show originally set out to make it even funnier for Broadway fans as it references many of our favorite shows (including Les Miserables, Rent, Chicago, Seussical, South Pacific, Chicago, Annie, A Chorus Line and more). However the beauty of it is that it is still extremely enjoyable for non-Broadway fans. So no matter who you are, you're in for a treat!